Trigger

HOW WE FILL OUR DAYS AND NIGHTS

Starry sky, long exposure, Sandersleben (Saxony-Anhalt), 14 April 2023

Interviews with residents of Sandersleben, no specific location, 2023 [2]

Interviews with residents of Sandersleben, no specific location, 2023 [1]

St. Mary's Church, Sandersleben (Saxony-Anhalt), 2020

Detail of a wall, Salzmünde (Saxony-Anhalt), June 2023

Red Skirt Popular on the Street

A Single Spark

Huang Baomei

United Until Tomorrow

A String of Pearls

ECHTZEIT #123-24

ECHTZEIT FOMU0953

ECHTZEIT #067-24

ECHTZEIT #142-24

Invalid Testament, 2024

Temporary Photograph, 2017

Double Reward, 2024

Collaborators (portraits), 2023

Selling Public Domain, 2021

In Her View

Beyond the Sky’s Limits

(Un)Touching Ground

Frame of Accountability

cute girl + sexy uniform + trendy music /sound + dance = yay! war!

Introduction

the-documents.org x Trigger

Billboards: our accomplices in public space

Remembering to forget / forgetting to remember

The Silver Cube

Sensing Time and Space Through Stones

Modes of Spirituality

Slide into my DMs

Weather Diaries

INTRODUCTION

MAPS X TRIGGER

Scrapbook Becoming Cinema (1940–1960)

Abundant Feminisms: A conversation with Erika Balsom

Technology on Loop: An alternative history of algorithms through Double Exposures

What would Baudelaire do?

AI and the history of photography, Part I

Trigger #5 as the FUTURES edition of 2023

A shot of 'energy'

The Art World We Want: Solidarity Art Economies

A History of Photography in Indonesia: From the Colonial Era to the Digital Age, edited by Brian C. Arnold (Amsterdam University Press, 2022)

Flaneur Magazine, Issue 09: Boulevard Périphérique

Catherine Grant, A Time of One's Own: Histories of Feminism in Contemporary Art (Duke University Press, 2022)

Rhiannon Adam, Big Fence: Pitcairn Island (BLOW UP PRESS, 2021)

Luigi Ghirri, Puglia. Tra albe e tramonti (Mack Books, 2022)

Atom Egoyan, edited by Carole Desbarats, Daniele Riviere, Jacinto Lageira, and Paul Virilio (Editions Dis Voir, 1993)

Matthew Stadler, Composition as Publication — and — What Are Margins? (2015)

Karen Barad, Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning (Durham, NC: Duke University Press, 2007)

On Becoming Terranascient

Nasser Road – Political Posters in Uganda, edited by Kristof Titeca (The Eriskay Connection, 2023)

Fieldwork for Future Ecologies: Radical Practice for Art and Art-Based Research, , edited by Bridget Crone, Sam Nightingale, and Polly Stanton (Onomatopee, 2022)

Alice Wong, Man Unraveling (TBW Books, 2022)

Katya Lesiv, I Love You (ist publishing, 2021)

Christina Sharpe, Ordinary Notes (London: Daunt Books Originals, 2023)

Catherine Taylor, Image Text Music (SPBH Essays, 2022)

Olu Oguibe, ‘Photography and the Substance of the Image’

‘I Can’t Wait to See the Photographs You’re Going to Make.’

A Conversation with Susan Meiselas on Books for Evolving Visual People

One of Yours: Presidential Candidate Daniel Mayrit Talks Images and Its Politics

On How Vincen Beeckman Became Part of My Life

melanie bonajo: Ecologies of Compassion

A Journey Through Somatic Landscapes. Feeling, Healing … and Photography

A Map Through Time: Grace Ndiritu Reimagines the FOMU Collection

‘Dying Is Very Easy. What’s Difficult Is Surviving’: The Body of the Street

Release and Launch of Trigger #4: Together

On Gazing with the Hands: Photobooks, Images and Touch

Woman Life Freedom

Salutary Alienation: On the Photography of Dries Segers and the Art of Noticing Things

Nineteen Discussions for Photographers and Artists in the Age of Climate Crisis

Andy Richter’s Neighbourhood

Sorry for the Dissonances

Automatic – Tracing the personal in intimate images and writing

Latasha's Short Ride. Long Historical Leanings

Documenting Sexual Violence in Conflict: The Unethical Practices Plaguing Photojournalism

Bodies that Glitch: The Black Body and the Digital Archive in Frida Orupabo’s Photographic Work

Weaving as ethical photography

Reflections of an artist in the age of ecological breakdown

Horizontal Allies

Motherhood, dignity, and care in productive work

Legacy Work as a Caring Practice

Dialogues on Gold: A Conversation about Women and Extraction

Exile on the third floor. Isabelle Cordemans’ Cut-Ups Grief & Birds

Waves of Care

Fruits Of Self-Care: Soft, Spoiled, Radical

Social Transformation through Photography: the case of KENE

On Inge Meijer’s A Garden Revisioned

Or on Claiming Space for an Ecology of Dissident Migrations

Radical Futurism: Documentary's Chronopolitics

Re-Imagining Archival Evidence

A Critique of Everyday Life

The Fetishism of New Color Photography

Decolonizing the Future

Part II: Reflections on Artistic Collaboration, Interactive Citizenship and Indigenous Cosmologies

The Absentee Photographer

Struggle, Authenticity and Visibility

Agonistes

Not (Safe) at Home

On Being Present in the Work of Saddie Choua

Keeping Pieces of Home: The Exiled Identity in Three Works

‘L’étranger te permet d’être toi-même, en faisant, de toi, un étranger.’ (Edmond Jabès)

Editorial

Uncertainty

Trigger Heads

‘That’s My Life Jacket!’

Speculative Documentary as a Counter Strategy to Documentary Taxidermy

The Impact of the Camera on Wheels: The Moving Gaze in the Modern Subject

So You Want to Change the World

Shelter in Haste: A Spatial Revolution

The Cat, the Photograph and the In-Between

The Manic in Photography

Relations and Representations of Artistic ‘Impact’ in Rio’s Favelas

Photographing the Anthropocene

The Impact of the White, Male Gaze

A Trip to the Supermarket: Coronavirus Codes in the Global Iconomy

Traces of earth and clay: documentary photography of the Shoah

Review essay of Christophe Cognet's Éclats. Prises de vue clandestines des camps nazis (2019)

A Letter to Dr. Paul Julien. Pondering the Photographic Legacy of a Dutch ‘Explorer of Africa’

Mark Neville in conversation with David Campany

Antwerpen

Editorial

Impact & Photography

Dark Impact

Imperial Impact

Manifesto for the future of Latin-American photobooks

Afrapix Photographers’ Collective and Agency

Fashioning an ‘Image Space’ in Apartheid South Africa

Break the Cycle

Latin American photobooks and the audience

Reclaiming Political Fires in Bangladesh

Interview Shahidul Alam

The Crisis of the Cliché

Has conflict photography become boring?

The Reliable Image

Impact and Contemporary Documentary Photography