A History of Photography in Indonesia: From the Colonial Era to the Digital Age, edited by Brian C. Arnold (Amsterdam University Press, 2022)
Nienke Coers
Growing up to Indo
In his richly illustrated A History of Photography in Indonesia: From the Colonial Era to the Digital Age, author and editor Brian C. Arnold makes a significant contribution to this project by offering a comprehensive and insightful exploration of how photography in Indonesia has over the years reflected and engendered institutional, social, and artistic change. Attesting to the lacunae, tensions, and anxieties that characterize this archive, rather than attempting an exhaustive compilation, the book elegantly navigates a wide but carefully selected array of perspectives, epistemologies, oeuvres, and topics. For example, in his chapter on the advent of art photography in Indonesia, Aminudin T.H. Siregar examines how after independence, art magazines like Zenith and Brochure Kesenian negotiated modernity, artistry, and cultural heritage in their search for ‘a new orientation that could articulate the identity of the new nation.’
Yet as much as the many intelligent questions, observations, and explorations in the book deepen my understanding of my own positionality within this fabric – as they undoubtedly will for many readers in and outside of Indonesia – they serve as a painful though encouraging reminder of how much of it is yet unknown and to be learned, generally and personally.
Note to the reader. This article is part of Trigger’s 2023 ‘Summer Read’ series. We invited writers, researchers, photographers and curators to share what is currently occupying their mind through one publication they have been (re)reading during summer. What matters to them is now being recast as a challenge for today. Highly personal entries to a diversity of publications (photobooks, studies, monography, essay, historical research) lead us – readers of these readers – to reorient our gaze on (the history of) images and photography.