Dirk Braeckman. Echtzeit, at FOMU, 29/03/2024 – 19/01/2025 © We Document Art / FOMU Antwerp
This is part of Echtzeit. For an introduction from the editors, more here.
Peter Verhelst
Gave myself what-for.
Look at me.
From head to toe.
Drummed it in.
Over my whole body.
Trained. Drilled myself.
Spread over my whole body eyes cultivated from forehead to Adam’s apple; from midriff over navel to genitals; from armpits to the palms of my hands and my fingertips; to the two hollows in my lower back, to the insides of my elbows and the backs of my knees. Eyes everywhere
to constantly see again and again how translucent you were when you woke after our first night – your pupils dilating and contracting, eyelids flickering.
So I can remember
how you, arms raised, sighed and stretched –
how you looked at me, hair a mess. Eyes everywhere,
first to see every inch of you,
and again,
to imprint every inch,
and again
so I don’t forget,
and one more time,
to never not see.
Not even the places where we no longer are.
That time on the lake by nightfall,
where the surface luminesced as sky and water merged and we kissed
and you were already, over your shoulder, looking away from me,
but we still kissed
while you turned away, while I still had you in my arms,
you were already walking away over the stones
and your one hand on my chest and the other on the back of my head,
while you were already walking away, looking over your shoulder,
not to see me one more time,
but so that I would see how you stayed away – the sound
of a falling stone – while the sky was already growing paler again,
the surface glittering, you see it again,
it was that still that morning on the lake – the sound
of a stone falling in water.
We kissed. I thought,
you said, keep watching
how harder and harder we no longer kissed.
Originally in Dutch.
Translated by David Colmer.