Archive
Archive
2022
Recaptioning Congo
Recaptioning Congo presents images from Congo’s long and turbulent history as a colonised country, spanning nearly 100 years from its formal establishment in 1882 to independence in 1960.
Aglaia Konrad
The artist Aglaia Konrad (Salzburg, 1960) has an infectious fascination for architecture. At FOMU’s invitation, she created the exhibition Umbau specifically for the top floor of the museum.
.tiff 2022 - Emerging Belgian Photography
Every year FOMU selects ten promising phototographers, all living or working in Belgium. In addition to a variety of networking opportunities, FOMU will accompany them on a development journey to create the portfolio magazine .tiff, culminating in a group exhibition.
Bertien van Manen
Photographer Bertien van Manen (NL, 1942) has captured the daily lives of the people she meets on her travels since the 1970s. From the Netherlands to China and from the former Soviet Union to the Appalachians, it is the ordinary, chaotic moments that most attract Bertien van Manen. Her straightforward 35mm camera allows her to get close to her subjects, and she was a pioneer of the empathetic, intimate documentary style.
Diana Markosian
FOMU presents the European premiere of the exhibition Santa Barbara by Diana Markosian (Moscow, 1989). In an innovative and deeply moving approach, Markosian tells the story of her family, and how they immigrated to America. Using film, still and archival images, Markosian explores the profound sacrifice made by her mother in pursuit of the American dream.
Alexey Shlyk & Ben Van den Berghe
In the practice of Alexey Shlyk & Ben Van den Berghe, the inspiring play between photographic image and architectural space is key. The artists combine new images and elements from previous works to continually create distinct, site-specific installations. They immerse visitors in alienating, disorienting environments using lens-based and computer-generated imaging technologies that blur the boundaries between physical and virtual realms. The ambiguous relationship between humans and technology is a recurring theme in their work.
Joud Toamah
Three children sit on plastic chairs in a courtyard. Dappled sunlight filters through the leaves, casting shadows on the ground. We see a photograph of a photograph, the flash of the camera reflected on the surface of the image. Artist Joud Toamah, born in Syria in 1992 and based in Belgium, unravels the meaning of images thread by thread. She is interested in the relationship between photography and memory; in how a family photograph can evoke certain emotions and take you back to a specific place and time.
Max Pinckers
Can a photograph say something about the world we live in? Max Pinckers (BE, 1988) places photography under the microscope. He explores the boundaries of documentary and reveals its manipulative nature. His artistic response is “speculative documentary”, a blending of fact and fiction. FOMU presents the first retrospective to cover the past five years of Pinckers’ work.
Masculinities
Masculinities: Liberation through Photography is an ambitious group exhibition on the subject of masculinity that explorest the myriad ways that masculinity is experienced, performed and constructed through film and photography from the 1960s to the present day.
Aurélie Geurts
Aurélie Geurts is a regular photographer for De Morgen and de Volkskrant. In this exhibition, Geurts presents two personal series, which clearly show how she manages to gain the trust of her subjects: with patience, time and determination.
Issei Suda
Issei Suda - My Japan
Issei Suda (1940-2019) is a famous name in the world of Japanese photography, yet he remains relatively unknown in Europe. FOMU wants to change this with a first retrospective of his work outside Japan.
re-collect
re-collect
FOMU collects, 2010-2020
Vincent Delbrouck, Bieke Depoorter, Boris Mikhailov, Max Pinckers, Annemie Augustijns, David Claerbout, Jacques de Lalaing, Kimbei Kusakabe, Zanele Muholi, Dirk Braeckman … These are just a few of the photographers whose work FOMU has acquired for its collection over the past 10 years.
Mous Lamrabat
Mous Lamrabat - We Gonna Be Alright
Beauty and a sense of hope are central to Mous Lamrabat’s work. His photographs are absurd and surrealistic, at times subtly provocative, always colourful and fun.
Made In Dublin
Made In Dublin - Multimedia installation
From January 14 to February 27, FOMU will show the multimedia installation Made In Dublin in the center of Antwerp, at Wapper 7.
Made In Dublin is a nine-screen, quadrophonic multimedia installation. The installation combines Doyle’s photos, Donohoe’s soundscapes, Barry’s words and narration, and Sweeney’s montage and production design
Made In Dublin is a nine-screen, quadrophonic multimedia installation. The installation combines Doyle’s photos, Donohoe’s soundscapes, Barry’s words and narration, and Sweeney’s montage and production design
Martine Franck
Martine Franck
Martine Franck (BE, 1938-2012), who was born in Antwerp, discovered a passion for photography while on a long journey through Asia in 1963. Once she had returned home to Paris, she set herself as a freelance photographer and created portraits and reportages for the major American magazines, including Life, The New York Times and Vogue. Martine Franck claimed wonder and a deep joy for humanity, with all the empathy she displayed.
Lynne Cohen
Lynne Cohen
Depth on the surface When you look beyond the surface of a Lynne Cohen (CA, 1944-2014) photograph, you enter a subtly absurd and surreal universe. She exclusively photographed interiors for four decades: spas, military facilities, classrooms, laboratories, etc. What goes on in the minds of the designers and users of these spaces? There are no humans in these scenes, only cryptic traces that once there were.
Depth on the surface When you look beyond the surface of a Lynne Cohen (CA, 1944-2014) photograph, you enter a subtly absurd and surreal universe. She exclusively photographed interiors for four decades: spas, military facilities, classrooms, laboratories, etc. What goes on in the minds of the designers and users of these spaces? There are no humans in these scenes, only cryptic traces that once there were.
33 days of .tiff
33 days of .tiff
Each year, FOMU selects ten promising photographers who live or work in Belgium. It is the start of a year-long journey that commences with publication in our portfolio magazine .tiff and ends with a group exhibition in the museum. With works from: Laure Cottin Stefanelli, Etienne Courtois, David Denil, Katherine Longly, Renée Lorie, Sebastian Steveniers, Wiktoria Synak, Florine Thiebaud, Pierre Vanneste, Sybren Vanoverberghe.
Each year, FOMU selects ten promising photographers who live or work in Belgium. It is the start of a year-long journey that commences with publication in our portfolio magazine .tiff and ends with a group exhibition in the museum. With works from: Laure Cottin Stefanelli, Etienne Courtois, David Denil, Katherine Longly, Renée Lorie, Sebastian Steveniers, Wiktoria Synak, Florine Thiebaud, Pierre Vanneste, Sybren Vanoverberghe.
Collectieaankoop Eamonn Doyle
Eamonn Doyle - Collection purchase
FOMU has purchased the unique work 'Baggot Street' from Irish photographer Eamonn Doyle for the collection. Eamonn Doyle made this work together with Niall Sweeney. This collection purchase is exhibited in FOMU from 02.10.2020 until 24.01.2021
Stephan Vanfleteren
Stephan Vanfleteren - Present
Present is the renowned Belgian photographer Stephan Vanfleteren’s (°1969) first major retrospective. The general public knows him best for his evocative black-and-white portraits but in recent decades he has produced a wide range of journalistic, documentary and artistic work. This exhibition provides space for both his iconic images and his equally impressive, lesser-known photographs, which together illustrate the evolution of Vanfleteren’s oeuvre.
Rebel Lives
Rebel Lives - Photographs from inside the Lord’s Resistance Army
The Lord’s Resistance Army (LRA), a Ugandan insurgent group led by Joseph Kony, emerged in the second half of the eighties. It is especially notorious for its mass abductions of civilians, of whom over half are children. The extreme violence practiced by this armed militia means that little is known about the lives of the abductees.
Restricted Images - Patrick Waterhouse
Restricted Images - Patrick Waterhouse
Since 2011, Patrick Waterhouse has been collecting maps, photos, flags and other documents to create an extensive archive of colonial representations of Australia, from 1770 to the present day.
31 days of .tiff - Highlighting Emerging Image Makers
31 days of .tiff - Highlighting Emerging Image Makers
Monsanto®: A Photographic Investigation - Mathieu Asselin
Monsanto®: A Photographic Investigation
Ai Weiwei - Mirror
Ai Weiwei - Mirror
Ai’s radical visual critique of human rights violations, abuse of power, and the unchecked state control of the Chinese government in particular has made him into one of the world’s most important contemporary artists. Although he is often characterized as a Chinese “dissident”, he primarily sees his activism and critique against the Chinese government as a defense of the universal values of free speech and freedom of expression.
The Still Point of the Turning World - Between Film and Photography
The Still Point of the Turning World - Between Film and Photography
Suzy Embo - Artiste photographe, photographe d'artistes
Suzy Embo - Artiste photographe, photographe d'artistes
Selleslags pakt uit
Selleslags Unpacks
Herman Selleslags (BE, °1938) is one of Belgium’s most famous photographers. In 2015, he donated his archive, and that of his father Rik, to FOMU. Over the course of half a century, Selleslags built up an incredible photography archive. Hundreds of thousands of photographs, glass plates, slides, negatives, press prints, pocket diaries, contact sheets and cameras were relocated to the FOMU depots. The multitudinous archive boxes are literally and figuratively the heart of the exhibition Selleslags Unpacks.
Mariken Wessels - Taking Off. Henry my Neighbor
Mariken Wessels - Taking Off. Henry my Neighbor
Photography Inc. - Van luxeproduct tot massamedium
Photography Inc. - From luxury product to mass medium
August Sander - Meesterwerken en ontdekkingen
August Sander - Masterpieces and discoveries
August Sander (DE, 1876-1964) is considered one of the most influential photographers of the last century. With his conceptual portrait series People of the 20th Century, he set out to provide a record of the social order of the age. As iconic as his portraits are of 'the pastrtry cook', 'the farmer', 'the revolutionaries' and so on, to reduce his life's work to his well-know portrait series would be to do Sander an injustice.
Jan Hoek - Shooting Stars
Jan Hoek - Shooting Stars
Jan Hoek (NL,° 1984) inhabits terrain that borders on the controversial. He is intersted in photographing people without exploiting them. His models deviate from the conventional. For example, there is Kim, a homeless, former heroin addict whom he encountered on the streets of Amsterdam: her dream of becoming a supermodel is not likely to be fulfilled. He removes the Sweet Crazies (homeless Ethiopians with mental health problems) from their context and portrays them as majestic men against colourful, noble backdrops.
Mijn Vlakke Land - Over fotografie en landschap
Mijn Vlakke Land - On photography and landscape
This summer, FoMu takes you on a visual journey through unspoiled nature and poses the question: Is it possible to recreate the sensation of hiking within the walls of a museum? When we go for a walk, we experience a succession of impressions that melt almost imperceptibly into each other. The exhibition Mijn Vlakke Land (My Flat Land) is a photographic montage that features works from 1856 to 2015 by over 50 artists from Belgium and abroad.
Jan Rosseel - Belgian Autumn. A Confabulated History
Jan Rosseel - Belgian Autumn.
A Confabulated History In the early 1980s, Belgium experienced a collective nightmare. A group known as the Brabant Killers committed a series of robberies, mainly of supermarkets, involving unprecedented violence. Thirty years later, Rosseel delves into the country’s memories of the events to create a confabulated history.
A Confabulated History In the early 1980s, Belgium experienced a collective nightmare. A group known as the Brabant Killers committed a series of robberies, mainly of supermarkets, involving unprecedented violence. Thirty years later, Rosseel delves into the country’s memories of the events to create a confabulated history.
Cédric Gerbehaye - D'entre eux
Cédric Gerbehaye - D'entre eux
What does it mean to belong somewhere? After years of shooting documentaries in remote areas of conflict, he is now concentrating on his compatriots, the people with whom he belongs, the people with whom he should be.
Jeffrey Silverthorne - The Precision of Silence
Jeffrey Silverthorne - The Precision of Silence
The exhibition Silverthorne – The Precision of Silence is the first European retrospective of the work of American photographer Jeffrey Silverthorne (°1946). Using polaroids, staged shots, portraits and work that borders on documentary in style, Silverthorne playfully explores such diverse subjects as death, sex and old age.
Mathieu Pernot - La Traversée
Mathieu Pernot - La Traversée
La Traversée takes us on a journey into the multifaceted photographic work of French documentary maker Mathieu Pernot (°1970). He analyses our contemporary society using both archival sources and his own photographs: the themes of emigration, social housing and homelessness run like leitmotifs through his work. However, Pernot is not interested in presenting one-sided interpretations and his images evoke the constant flux that is the reality of life.
Yann Mingard - Deposit
Yann Mingard - Deposit
The documentary project Deposit by the Swiss photographer Yann Mingard (°1973) confronts us with provocative and germane questions about the current state, sustainability and future of life on earth. Can we control life on the planet by collecting and storing genetic, biological and human information? Mingard went on a journey of discovery and brought back images of four types of stored information: Plants, Animals, Humans and Data.
Nick Hannes - Mediterranean. The Continuity of Man
Nick Hannes - Mediterranean.
The Continuity of Man Over the past five years, Nick Hannes (BE,1974) has visited twenty countries located around the Mediterranean. He witnessed an unpredicted period of turnoil for the region: Southern Europe buckling under the weight of the global economic crisis, Arab countries entangled in the aftermath of the Arab Spring and tourist and migrants encountering each other on the beaches of the Mediterranean sea.
The Continuity of Man Over the past five years, Nick Hannes (BE,1974) has visited twenty countries located around the Mediterranean. He witnessed an unpredicted period of turnoil for the region: Southern Europe buckling under the weight of the global economic crisis, Arab countries entangled in the aftermath of the Arab Spring and tourist and migrants encountering each other on the beaches of the Mediterranean sea.
Vincent Delbrouck - Dzogchen
Vincent Delbrouck - Dzogchen
For the third consecutive year, FoMu is providing a platform for young, Belgian, photographers. Vincent Delbrouck (BE,1975) presents his latest project Dzogchen, which chronicles several journeys he made to the Himalayas between 2009 and 2014. While there, Delbrouck immersed himself in Buddhist philosophy and allowed the environment to dictate his imagery.
Shooting Range - Fotografie in de vuurlinie?
Shooting Range - Photography and The Great War
The 'Great War' was the first large-scale conflict that was recorded on celluloid and film. The fledgling media appeared to have unprecedented powers as the all-seeing eye, a reminder, but also as a weapon. Images not only chronicle a conflict, they also play a crucial role in it. Shooting Range highlights the way in which this happened in a conflict that kept the world in its grip for four years.
Richard Mosse - The Enclave
Richard Mosse - The Enclave
With The Enclave, FoMu brings Richard Mosse's (IE, °1980) acclaimed multimedia installation to Belgium. Starting in 2010, Mosse made several trips to eastern Congo to capture on film the region's intractable spiral of war. Since 1998, this conflict has claimed the lives of 5.4 million people, yet goes relatively unreported in the mass media.
Walker Evans - Magazinewerk
Walker Evans - Magazines
This concise exhibition focuses on Walker Evans' photographic magazine work. Uniquely, Evans (US, 1903-1975) photographed, wrote, edited and designed his pages. From 1929 to 1965 he published in avant garde journals and the mainstream magazines Fortune, Harper’s Bazaar, Vogue, Sports Illustrated and Life.
Mikhael Subotzky & Patrick Waterhouse - Ponte City
Mikhael Subotzky & Patrick Waterhouse - Ponte City
Ponte City is the latest project from artists Mikhael Subotzky (ZA, °1981) and Patrick Waterhouse (GB, °1981). The project focuses on a single building, the monumental Ponte City, an apartment block that dominates the Johannesburg skyline. One of the architectural icons of the city, it is also the perfect witness to a society in constant change.
Broomberg & Chanarin - Everything was Beautiful and Nothing Hurt
Broomberg & Chanarin -
Everything was Beautiful and Nothing Hurt Adam Broomberg (ZA, °1970) and Oliver Chanarin (UK, °1971) have been working collaboratively for 17 years. This is the first comprehensive survey of their practice, beginning with their first work, a commissioned painting of a Hutu and a Tutsi and ends with their most recent series, produced with 3D facial recognition software.
Everything was Beautiful and Nothing Hurt Adam Broomberg (ZA, °1970) and Oliver Chanarin (UK, °1971) have been working collaboratively for 17 years. This is the first comprehensive survey of their practice, beginning with their first work, a commissioned painting of a Hutu and a Tutsi and ends with their most recent series, produced with 3D facial recognition software.
Rinko Kawauchi
Rinko Kawauchi
Japanese photographer Rinko Kawauchi (JP, °1972) is not confined by space and time. She plays with universal memories and references. The pure colours and compositions seek the essence of the world: elements of nature, the cycle of life, the perennial and the transitory, departing from a Japanese sensibility and developing a style which already bears her name
Ed van der Elksen - Een liefdesgeschiedenis in Saint Germain des Prés
Ed van der Elksen - A history of love in Saint Germain des Prés
In 1950 Ed van der Elsken (Netherlands, 1925 - 1990) leaves for Paris, where he finds his peers in Saint Germain des Prés, amongst a group of bohemians. Unknowingly, he keeps a photographic diary of their comings and goings. He is particularly fascinated by the red-haired Vali Myers. In his photos he captures the essence of the younger generation during the existentialist post-war era.
The Sochi Project - An atlas of war and tourism in the Caucasus
The Sochi Project - An atlas of war and tourism in the Caucasus
Editing the news - De bril van de fotoredacteur
Editing the news - De bril van de fotoredacteur
You Ain't Seen Nothing Yet - Muziek en fotografie
You Ain't Seen Nothing Yet- Music and Photography
Power! Photos! Freedom!
Power! Photos! Freedom!
A cheering crowd in a Libyan sports stadium, gazing hopefully in the direction of their leader. Thus started the dubious political career of Muammar Gaddafi, a career which would end 42 years later in blood and gore. The photos went around the world. The FoMu focuses on the power of photography during recent events in the Arab world. The extensive Gaddafi archives are complemented by photographs on Syria, Egypt and Tunisia. Even though photography is clearly the ultimate propaganda tool for leaders in authoritarian regimes, it can also prove to be an important weapon for the people during a revolution.
Camera Exotica - Selectie uit de collectie FOMU
Camera Exotica - Selection from the Fomu collection
