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Now on display
Dirk Braeckman makes a unique selection from the FOMU collection and appropriates these collection items to create new work.
FOMU: Dirk Braeckman: ECHTZEIT
Joseph Maes, Kaiserpanorama, 1905, Collection FOMU, F/1975/171, © We Document Art/FOMU
Exhibition
Dirk Braeckman - Echtzeit
Dirk Braeckman, Self-portrait, 1986, gelatin silver print, Collection FOMU, P/1987/244 © Dirk Braeckman
Kunstmuseum Den Haag: Dirk Braeckman – Léon Spilliaert: Night Wanderers
Dirk Braeckman, S.E.-G.S.-18, 2018, Collection FOMU, 2019/26 © Dirk Braeckman
Kunstmuseum Den Haag: Dirk Braeckman – Léon Spilliaert: Night Wanderers
Laszlo Moholy-Nagy, Booten im Alten Hafen von Marseille, 1929, Collection FOMU, P/1978/152/1
FeliXart: Victor Delhez and the experimental photography from the interbellum
Aleksandr Michailowitch Rodchenko, Fassade von oben, 1927, Collection FOMU, P/1998/132/8, © Aleksandr Michailowitch Rodchenko / RAO
FeliXart: Victor Delhez and the experimental photography from the interbellum
René Guiette, Les Peupliers, circa 1940, Collection FOMU, P/1987/30, © René Guiette / SABAM
FeliXart: Victor Delhez and the experimental photography from the interbellum
Jozef Emiel Borrenbergen, Abstraction, Collection FOMU, P/1979/196, © Jozef Emiel Borrenbergen
FeliXart: Victor Delhez and the experimental photography from the interbellum
Man Ray, Photograph with Glass Balls, 1929, Collection FOMU, P/1978/150/21, © Man Ray / SABAM
FeliXart: Victor Delhez and the experimental photography from the interbellum
Charles Buyle, A l'Ombre de Saint-Bavon ((In the shade of Saint Bavo), 1934, Collection FOMU, P/1968/53/26, © Charles Buyle / Marc Buyle
FeliXart: Victor Delhez and the experimental photography from the interbellum
Henri Berssenbrugge, Line pattern with fingers, legs,..., 1938, Collection FOMU, P/1967/54, © Henri Berssenbrugge / Marit Berssenbrugge
FeliXart: Victor Delhez and the experimental photography from the interbellum
Henri Berssenbrugge, Stilleven, 1928, Collection FOMU, P/1967/51, © Henri Berssenbrugge / Marit Berssenbrugge
FeliXart: Victor Delhez and the experimental photography from the interbellum
Aleksandr Michailowitch Rodchenko, Strasse bei Nacht, 1932, Collection FOMU, P/1998/132/18, © Aleksandr Michailowitch Rodchenko / RAO
FeliXart: Victor Delhez and the experimental photography from the interbellum
Allain De Torbéchet & Cie., Le Jongleur (The Juggler), 1862-1864, Collection FOMU, P/1970/92
FeliXart: Victor Delhez and the experimental photography from the interbellum
Pierre Dubreuil, Les Lunettes (The Glasses), 1928, Collection FOMU, P/1964/113
FeliXart: Victor Delhez and the experimental photography from the interbellum
Henri Berssenbrugge, Photogram - feathers, 1927, Collection FOMU, P/1967/66/3, © Henri Berssenbrugge / Marit Berssenbrugge
FeliXart: Victor Delhez and the experimental photography from the interbellum
Jaromir Funke, Composition, 1927-1929, Collection FOMU, P/1977/4
FeliXart: Victor Delhez and the experimental photography from the interbellum
Eadweard Muybridge, Primo passo di danza (A.L. 369), 1981, Collection FOMU, P/1981/394/8
FeliXart: Victor Delhez and the experimental photography from the interbellum
Raoul Ubac, Le Combat de Penthésilé 2 (reproduction), 1938, Collection FOMU, P/1970/46/1, © Raoul Ubac / ADAGP
FeliXart: Victor Delhez and the experimental photography from the interwar period
Suzy Embo, Si je peignais, 1956, Collection FOMU, P/1996/29/1, © Suzy Embo/FOMU
CAP/Fine Arts Museum of Mons: Surrealism: turning reality upside down
Suzy Embo, Si je peignais, 1956, Collection FOMU, P/1996/29/3, © Suzy Embo/FOMU
CAP/Fine Arts Museum of Mons: Surrealism: turning reality upside down
Suzy Embo, Si je peignais, 1956, Collection FOMU, P/1996/29/25, © Suzy Embo/FOMU
CAP/Fine Arts Museum of Mons: Surrealism: turning reality upside down
Suzy Embo, Si je peignais, 1956, Collection FOMU, P/1996/29/27, © Suzy Embo/FOMU
CAP/Fine Arts Museum of Mons: Surrealism: turning reality upside down
Serge Vandercam, Le trou, 1950, Collection FOMU, P/1992/206/2 © Serge Vandercam/SABAM Belgium
CAP/Fine Arts Museum of Mons: Surrealism: turning reality upside down
Serge Vandercam, Les crochets, 1952, Collection FOMU, P/1992/206/1 © Serge Vandercam/SABAM Belgium
CAP/Fine Arts Museum of Mons: Surrealism: turning reality upside down
Serge Vandercam, Les chaussettes, 1957, Collection FOMU, P/1992/206/7 © Serge Vandercam/SABAM belgium
CAP/Fine Arts Museum of Mons: Surrealism: turning reality upside down
Suzy Embo, Expostition Cobra, Hôtel de Ville de Bruxelles (reproduction), 1974, Collection FOMU, © Suzy Embo/FOMU
CAP/Fine Arts Museum of Mons: Surrealism: turning reality upside down
Suzy Embo, Expostition Cobra, Hôtel de Ville de Bruxelles (reproduction), 1974, Collection FOMU, © Suzy Embo/FOMU
CAP/Fine Arts Museum of Mons: Surrealism: turning reality upside down
Suzy Embo, Expostition Cobra, Hôtel de Ville de Bruxelles (reproduction), 1974, Collection FOMU, © Suzy Embo/FOMU
CAP/Fine Arts Museum of Mons: Surrealism: turning reality upside down
Suzy Embo, Expostition Cobra, Hôtel de Ville de Bruxelles (reproduction), 1974, Collection FOMU, © Suzy Embo/FOMU
CAP/Fine Arts Museum of Mons: Surrealism: turning reality upside down
Filip Tas, Portrait of Paul Delvaux in his studio (reproductie), 1964, Collection FOMU, B/2007/3906/285/5 ©Filip Tas
La Boverie: The Worlds of Paul Delvaux
Anonymous, Staff of the Grand Hôtel Godderis in Blankenberge (reproduction), 1901, Collectie FOMU, P/1967/21
Belle Epoque Centre Blankenberge: Belle Epoque through the lens
Anonymous, Blankenberge pier (reproduction), Collection FOMU, P/1972/190/13
Belle Epoque Centre Blankenberge: Belle Epoque through the lens
Gustave Hermans, Portrait of children from Diesterweg School colony in Blankenberge (reproduction), approx 1910, Collection FOMU, P/2002/1441
Belle Epoque Centre Blankenberge: Belle Epoque through the lens
Anonymous, View of the Blankenberge dike with the lighthouse and the pier (reproduction), approx 1900, stereo card, Collection FOMU, P/1988/113/4
Belle Epoque Centre Blankenberge: Belle Epoque through the lens
Leica III with ELMAR 1:3.5 50mm lens, collection FOMU, F/1968/157
MAS: City at war. Antwerp, 1940-1945
New acquisitions
The Anonymous project presents Being There 47, 2023, inkjet-print, Collectie FOMU, 2024/85/5 © The Anonymous project/ Lee Shulman & Omar Victor Diop
The Anonymous project presents Being There 47, 2023, inkjet-print, Collectie FOMU, 2024/85/5 © The Anonymous project/ Lee Shulman & Omar Victor Diop
The Anonymous project presents Being There 47, 2023, inkjet-print, Collectie FOMU, 2024/85/5 © The Anonymous project/ Lee Shulman & Omar Victor Diop
The Anonymous project presents Being There 47, 2023, inkjet-print, Collectie FOMU, 2024/85/5 © The Anonymous project/ Lee Shulman & Omar Victor Diop
The Anonymous project presents Being There 47, 2023, inkjet-print, Collectie FOMU, 2024/85/5 © The Anonymous project/ Lee Shulman & Omar Victor Diop
Laura Aguilar, Nature Self-Portrait # 5, 1996, gelatin silver print, Collection FOMU © Laura Aguilar Trust
Laura Aguilar, Nature Self-Portrait # 11, 1996, gelatin silver print, Collection FOMU © Laura Aguilar Trust
Laura Aguilar, Nature Self-Portrait # 12, 1996, gelatin silver print, Collection FOMU © Laura Aguilar Trust
Tine Guns, Reshuffling of the Cards Whilst we Dance, 2024, card game/inkjet prints, Collection FOMU, 2024/50 © Tine Guns
Nick Geboers, De Getroffene (PVC), 2022, inkjet print, Collection FOMU, 2024/83, ©Nick Geboers
Nick Geboers, Sun/Moon Studies #1 (Mimosa Pudica), 2014, inkjet print, Collection FOMU, 2024/84, ©Nick Geboers
Victor Barras, Four standing women and two dogs sitting on a chair, 1894, collodion printing-out paper, Collection FOMU, 2024/81
Hugues Bidoit, Child with dress sitting on a high chair, wothlytype, approx 1864, Collection FOMU, 2024/80
Gustave Marissiaux, Woman sitting on a bench in a museum, platinum print, approx 1904, Collection FOMU, 2024/79
Van Mol (Soeurs), Krijtverkoopster/Marchande de craie (chalk vendor), approx. 1886, albumen print, Collection FOMU, 2024/28
Paul Sano, Wooden box with microscopic specimen between glass plates, Collection FOMU, 2024/6/1 © Paul Sano
Paul Sano, Photo album with orotone prints, Collection FOMU, 2024/7, © Paul Sano
Vincen Beeckman, Madame (La Devinière), 2022, Collection FOMU, 2024/53 © Vincen Beeckman
Vincen Beeckman, Eric (La Devinière), 2022, Collection FOMU, 2024/51 ©Vincen Beeckman
Vincen Beeckman, Phil (La Devinière), 2018, Collection FOMU, 2024/57 © Vincen Beeckman
Vincen Beeckman, Laeticia (La Devinière), 2022, Collection FOMU, 2024/74 © Vincen Beeckman
Vincen Beeckman, Le foot (La Devinière), 2020, Collection FOMU, 2024/69 © Vincen Beeckman
Vincen Beeckman, La cabane (La Devinière), 2018, Collection FOMU, 2024/55 © Vincen Beeckman
Vincen Beeckman, Greg (La Devinière), 20218, Collection FOMU, 2024/54 © Vincen Beeckman
Vincen Beeckman, Tommy, la fleur (la Devinière), 2020, Collection FOMU, 2024/71 © Vincen Beeckman
Alison Rossiter, Gevaert Gevaluxe Velours, exact expiration date unknown, ca. 1930s, processed 2020 (#2) , Collectie FOMU, 2023/46, © Alison Rossiter
Exhibition
Outdated Paper? Photographic Paper from the Gevaert Archive
Anonymous, Studio portrait of two ladies posing behind a boat (ferrotype), Collection FOMU, 2024/11 © Unknown
James Barnor, Assistant of Sick-Hagemeyer, Accra, circa 1970, Collection FOMU, 2023/22 © James Barnor
Exhibition
James Barnor
James Barnor, Odwira procession in front of the studio Deo Gratias, Jamestown, Accra, 1976, Collection FOMU, 2023/23 © James Barnor
Exhibition
James Barnor
melanie bonajo, When the body says Yes, wallpaper, 2022, Collectie FOMU, 2023/44, © melanie bonajo
Amelia Bergner, Photogram of Leaves, approx 1877, Collection FOMU, 2023/37
Lebohang Kganye, Ke Bapala seyalemoya bosiu ka naeterese II uit de serie Her Story, 2023, Collectie FOMU, 2023/34/2, © Lebohang Kganye
Lebohang Kganye, Ke Monahano ke ntse ke le pating II uit de reeks Her Story, 2023, Collectie FOMU, 2023/34/1, © Lebohang Kganye
Mous Lamrabat, Palestina (from the series We are all one), 2023, Collection FOMU, 2023/47/1, © Mous Lamrabat
Mous Lamrabat, Three Flags (from the series We are all one), 2023, Collection FOMU, 2023/47/2, © Mous Lamrabat
Mous Lamrabat, Cease Fire Now (from the series We are all one), 2023, Collection FOMU, 2023/47/3, © Mous Lamrabat
Charles D'Hoy, Studio portrait of three men (salted paper print), 1854-1864, Collection FOMU, 2023/21
Adolphe L. Neyt (jr.), Sea view with a rowing boat, some sailing boats and a steam boat, approx 1881, carbon print, Collection FOMU, 2023/36/4
Dominique Somers, Dazzle, 2015, Installation with neon lamps and high-voltage transformers, Collection FOMU, 2023/52 © Dominique Somers
Dominique Somers, Apples, 2022, Lambda-print, Collection FOMU, 2023/48 © Dominique Somers
Dominique Somers, Uranium rods, 2022, Self-print of nuclear isotopes on 4x5" film in metal frame, Collection FOMU, 2023/53/1 © Dominique Somers
Dominique Somers, Djinn,2014, residue of ignited, 19th century magnesium flash powder in glass bottle, Collection FOMU, 2023/49 © Dominique Somers
Dominique Somers, Anti-flash scarf, 2017, Lambda-print, Collection FOMU, 2023/50 © Dominique Somers
Dominique Somers, Starscape, 2014, Lambda-print, Collection FOMU, 2023/51 © Dominique Somers
Bertien van Manen, Rostov- Maxim, Tanya and Nikolayevich, 1993, chromogenic print, Collection FOMU, 2023/39 © Bertien van Manen
Bertien van Manen, Tomsk Railway Station, 1992, chromogenic print, Collection FOMU, 2023/40 © Bertien van Manen
Bertien van Manen, Novokuznetsk Photography, 1993, chromogenic print, Collection FOMU, 2023/38 © Bertien van Manen
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