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Collection items now on display
Man Ray, Lee Miller, 1930, Collection FOMU, P/1978/150/10, © Man Ray / SABAM
Exhibition
Lee Miller in Print
Brassaï, Colonne Morris, 1934, Paris, Collection FOMU, P/1966/385, © Brassaï / RMN
Exhibition
Lee Miller in Print
Paul Morand / Brassaï, Paris de nuit: 60 photos inédités de Brassaï, Paris: Arts et métiers graphiques, 1933, Collection FOMU
Exhibition
Lee Miller in Print
Mashid Mohadjerin, 1934 (Freedom is Not Free), Collection Flemish Community/FOMU, BK/9357/1/1 © Mashid Mohadjerin
Exhibition
Mashid Mohadjerin - Spiraling Outward
Mashid Mohadjerin, 1954 (Freedom is Not Free), Collection Flemish Community/FOMU, BK/9357/1/2 © Mashid Mohadjerin
Exhibition
Mashid Mohadjerin - Spiraling Outward
Mashid Mohadjerin, 1979 (Freedom is Not Free), Collection Flemish Community/FOMU, BK/9357/1/3 © Mashid Mohadjerin
Exhibition
Mashid Mohadjerin - Spiraling Outward
Mashid Mohadjerin, 1995 (Freedom is Not Free), Collection Flemish Community/FOMU, BK/9357/1/4 © Mashid Mohadjerin
Exhibition
Mashid Mohadjerin - Spiraling Outward
Mashid Mohadjerin, 2019 (Freedom is Not Free), Collection Flemish Community/FOMU, BK/9357/1/5 © Mashid Mohadjerin
Exhibition
Mashid Mohadjerin - Spiraling Outward
Katja Mater explores the FOMU collection and creates a remarkable selection around the theme of time
Exhibition No Longer Not Yet . Katja Mater & the FOMU collection
Joseph Maes, Kaiserpanorama, 1905, Collection FOMU, F/1975/171, © We Document Art/FOMU
Exhibition
No Longer Not Yet - Katja Mater & the FOMU collection
Sasha & Cami Stone, FEMMES, portfolio with 20 photogravures, 1933, Collection FOMU, P/1984/161 ©Stone
Musée de la Photographie, Charleroi: Studio Stone
Cami Stone, Port of Antwerp, 1930-1933, Collection FOMU, P/2009/12 © Cami Stone
Musée de la Photographie, Charleroi: Studio Stone
Cami Stone, Procession of the Holy Blood, Bruges, May 5th, 1930, Collection FOMU, P/2009/11 © Cami Stone
Musée de la Photographie, Charleroi: Studio Stone
Sasha Stone, Kleiner Funkturm, Berlin, 1928, Collectie FOMU, P/2009/9
Musée de la Photographie, Charleroi: Studio Stone
Sasha Stone, Photomaton, Berlin, 1928, Collection FOMU, P/2009/10
Musée de la Photographie, Charleroi: Studio Stone
Sasha Stone, Kurfürstendamm, Berlin, 1928, Collection FOMU, P/2009/8
Musée de la Photographie, Charleroi: Studio Stone
Sasha Stone, Borinage, types, 1933, Collection FOMU, P/2009/14/1
Musée de la Photographie, Charleroi: Studio Stone
Sasha Stone, Borinage, types, 1933, Collection FOMU, P/2009/14/5
Musée de la Photographie, Charleroi: Studio Stone
Sasha Stone, Borinage, 1933, Collection FOMU, P/2009/13/20
Musée de la Photographie, Charleroi: Studio Stone
Sasha Stone, Borinage, 1933, Collection FOMU, P/2009/13/7
Musée de la Photographie, Charleroi: Studio Stone
Sasha Stone, Borinage, 1933, Collection FOMU, P/2009/13/45
Musée de la Photographie, Charleroi: Studio Stone
Sasha Stone, Borinage, 1933, Collection FOMU, P/2009/13/46
Musée de la Photographie, Charleroi: Studio Stone
Sasha Stone, Borinage, 1933, Collection FOMU, P/2009/13/32
Musée de la Photographie, Charleroi: Studio Stone
Sasha Stone, Borinage, 1933, Collection FOMU, P/2009/13/30
Musée de la Photographie, Charleroi: Studio Stone
Sasha Stone, Borinage, 1933, Collection FOMU, P/2009/13/44
Musée de la Photographie, Charleroi: Studio Stone
Sasha Stone, Borinage, 1933, Collection FOMU, P/2009/13/36
Musée de la Photographie, Charleroi: Studio Stone
Sasha Stone, Borinage, 1933, Collection FOMU, P/2009/13/31
Musée de la Photographie, Charleroi: Studio Stone
Anonymous, Staff of the Grand Hôtel Godderis in Blankenberge (reproduction), 1901, Collectie FOMU, P/1967/21
Belle Epoque Centre Blankenberge: Belle Epoque through the lens
Anonymous, Blankenberge pier (reproduction), Collection FOMU, P/1972/190/13
Belle Epoque Centre Blankenberge: Belle Epoque through the lens
Gustave Hermans, Portrait of children from Diesterweg School colony in Blankenberge (reproduction), approx 1910, Collection FOMU, P/2002/1441
Belle Epoque Centre Blankenberge: Belle Epoque through the lens
Anonymous, View of the Blankenberge dike with the lighthouse and the pier (reproduction), approx 1900, stereo card, Collection FOMU, P/1988/113/4
Belle Epoque Centre Blankenberge: Belle Epoque through the lens
Leica III with ELMAR 1:3.5 50mm lens, collection FOMU, F/1968/157
MAS: City at war. Antwerp, 1940-1945
New acquisitions
Laure Winants, Refraction #3, 2023, lambda-print, Collection Flemish Community/ FOMU, BK/9676 © Laure Winants
Laure Winants, Refraction #4, 2023, lambda-print, Collection Flemish Community/ FOMU, BK/9677 © Laure Winants
Laure Winants, Time Capsule. Thin ice section from Arctic drilling, Collection Flemish Community/FOMU, BK/9678 © Laure Winants
Laure Winants, Time Capsule. Thin ice section from Arctic drilling, Collection Flemish Community/FOMU, BK/9679 © Laure Winants
Laure Winants, Time Capsule. Thin ice section from Arctic drilling, Collection Flemish Community/FOMU, BK/9680 © Laure Winants
Dirk Braeckman, ECHTZEIT #029-24// AP, 2024, inkjet print, Collection FOMU, 2025/1/2 © Dirk Braeckman
Dirk Braeckman, ECHTZEIT #044-23// AP, 2024, inkjet print, Collection FOMU, 2025/1/1 © Dirk Braeckman
Dirk Braeckman, ECHTZEIT #046-24// AP, 2024, inkjet print, Collection FOMU, 2025/1/3 © Dirk Braeckman
Dirk Braeckman, ECHTZEIT #067-24// AP, 2024, inkjet print, Collection FOMU, 2025/1/4 © Dirk Braeckman
Dirk Braeckman, ECHTZEIT #073-24// AP, 2024, inkjet print, Collection FOMU, 2025/1/5 © Dirk Braeckman
Dirk Braeckman, ECHTZEIT #131-24// AP, 2024, inkjet print, Collection FOMU, 2025/1/6 © Dirk Braeckman
The Anonymous project presents Being There 47, 2023, inkjet-print, Collectie FOMU, 2024/85/5 © The Anonymous project/ Lee Shulman & Omar Victor Diop
The Anonymous project presents Being There 47, 2023, inkjet-print, Collectie FOMU, 2024/85/5 © The Anonymous project/ Lee Shulman & Omar Victor Diop
The Anonymous project presents Being There 47, 2023, inkjet-print, Collectie FOMU, 2024/85/5 © The Anonymous project/ Lee Shulman & Omar Victor Diop
The Anonymous project presents Being There 47, 2023, inkjet-print, Collectie FOMU, 2024/85/5 © The Anonymous project/ Lee Shulman & Omar Victor Diop
The Anonymous project presents Being There 47, 2023, inkjet-print, Collectie FOMU, 2024/85/5 © The Anonymous project/ Lee Shulman & Omar Victor Diop
Laura Aguilar, Nature Self-Portrait # 5, 1996, gelatin silver print, Collection FOMU © Laura Aguilar Trust
Laura Aguilar, Nature Self-Portrait # 11, 1996, gelatin silver print, Collection FOMU © Laura Aguilar Trust
Laura Aguilar, Nature Self-Portrait # 12, 1996, gelatin silver print, Collection FOMU © Laura Aguilar Trust
Tine Guns, Reshuffling of the Cards Whilst we Dance, 2024, card game/inkjet prints, Collection FOMU, 2024/50 © Tine Guns
Nick Geboers, De Getroffene (PVC), 2022, inkjet print, Collection FOMU, 2024/83, ©Nick Geboers
Nick Geboers, Sun/Moon Studies #1 (Mimosa Pudica), 2014, inkjet print, Collection FOMU, 2024/84, ©Nick Geboers
Victor Barras, Four standing women and two dogs sitting on a chair, 1894, collodion printing-out paper, Collection FOMU, 2024/81
Hugues Bidoit, Child with dress sitting on a high chair, wothlytype, approx 1864, Collection FOMU, 2024/80
Gustave Marissiaux, Woman sitting on a bench in a museum, platinum print, approx 1904, Collection FOMU, 2024/79
Van Mol (Soeurs), Krijtverkoopster/Marchande de craie (chalk vendor), approx. 1886, albumen print, Collection FOMU, 2024/28
Paul Sano, Wooden box with microscopic specimen between glass plates, Collection FOMU, 2024/6/1 © Paul Sano
Paul Sano, Photo album with orotone prints, Collection FOMU, 2024/7, © Paul Sano
Vincen Beeckman, Madame (La Devinière), 2022, Collection FOMU, 2024/53 © Vincen Beeckman
Vincen Beeckman, Eric (La Devinière), 2022, Collection FOMU, 2024/51 ©Vincen Beeckman
Vincen Beeckman, Phil (La Devinière), 2018, Collection FOMU, 2024/57 © Vincen Beeckman
Vincen Beeckman, Laeticia (La Devinière), 2022, Collection FOMU, 2024/74 © Vincen Beeckman
Vincen Beeckman, Le foot (La Devinière), 2020, Collection FOMU, 2024/69 © Vincen Beeckman
Vincen Beeckman, La cabane (La Devinière), 2018, Collection FOMU, 2024/55 © Vincen Beeckman
Vincen Beeckman, Greg (La Devinière), 20218, Collection FOMU, 2024/54 © Vincen Beeckman
Vincen Beeckman, Tommy, la fleur (la Devinière), 2020, Collection FOMU, 2024/71 © Vincen Beeckman
Alison Rossiter, Gevaert Gevaluxe Velours, exact expiration date unknown, ca. 1930s, processed 2020 (#2) , Collectie FOMU, 2023/46, © Alison Rossiter
Exhibition
Outdated Paper? Photographic Paper from the Gevaert Archive
Anonymous, Studio portrait of two ladies posing behind a boat (ferrotype), Collection FOMU, 2024/11 © Unknown
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