De keuze van
De keuze van
Bent Van Looy
"For me, photography is primarily about looking into another world. Through the eyes, through the mind of the photographer.” Musician, painter and presenter Bent Van Looy chooses his favorite image from the FOMU collection: a photograph by the Italian photographer Cesare Colombo.
“What struck me about the photograph was actually what Colombo didn’t photograph. The negative space in this picture actually plays the leading role.”
For the video series ‘De keuze van’, seven inspirational people choose their favourite image from the FOMU collection.
FOMU has a collection of more than three million photographic objects. In the FOMU collection you can find negatives, analogue prints, digital photos, equipment, daguerreotypes, glass plates and photographers' archives.
The collection is constantly growing because FOMU consistently purchases work by Belgian talent and acquires photographs that help tell the history of (Belgian) photography. We also purchase international, socially relevant photography.
De keuze van Dalilla Hermans
Author, theatre director and columnist Dalilla Hermans chooses her favorite image from the FOMU collection: a photograph from the series 'New ways of photographing the New Masai' by Jan Hoek. But why exactly this photograph?
De keuze van Saskia De Coster
Write Saskia De Coster delves into the image collection of FOMU. It is a work by the Belgian photographer Nick Hannes that stands out to her the most.
Art acquisitions Flemisch Community Collection preserved in FOMU collection
The selection was the responsibility of a committee of independent curators and experts from all six Flemish contemporary art museums including FOMU.
Max Pinckers - Margins of Excess
Following the exhibition of Max Pinckers at FOMU, Public broadcaster VRT is showing the documentary 'Max Pinckers - Margins of Excess'.
A Critique of Everyday Life
The photography of William Egglestone and Stephen Shore, part of the new color photography movement, is not often associated with ‘politics’, or utopian potentials. Young critic, Taylor Dorrell, thinks its worthwhile to reconsider this.
Social Transformation through Photography: The Case of KENE
A practice of care for a neighbourhood and its inhabitants flourishes at KENE in Bamako, Mali, a permanent photography lab for young adults, a place for education, relations, care for the neighbour and its collective memory construction.
Fruits Of Self-Care: Soft, Spoiled, Radical
Self-care is 'a bit of a catch-all term', thus opens writer and poet Anna Lounguine her essay on a concept that culturally speaking seems to have lost its ethical and political potentials.
De keuze van Frank Raes
Apart from being a well known sports journalist, Frank Raes is also a photographer. For the video series ‘De keuze van’ he dives into the collection of FOMU and chooses his favorite image.