Life During Wartime Through Ukrainian Photography
FOMU and Trigger Magazine would like to invite you to follow Ukrainian photographers to get their view on the situation and what it’s like to work as a photographer in a war situation: personally and professionally.
My Santa Barbara: Stories of migration and relocation
Santa Barbara is Markosian’s exploration of her own personal history. In a similar spirit, Diana Markosian and FOMU invite visitors of the exhibition to record a short video commenting on the trajectory of their own life.
Internationale dag van de fotografie: Vlaanderen digitaliseert 170.000 historische foto’s op glasplaat
Samen met heel wat andere musea, archieven en erfgoedinstellingen zet het FOMU zich mee in voor het digitaliseren en toegankelijk maken van historische glasnegatieven. Lees nu het artikel dat hierover verscheen op VRT NWS.
Project Tegenlicht: New techniques for the preservation of photo archives
When the condition and the volume of photographic film is so challenging, how do you make such important archives accessible?
Herman Selleslags & the FOMU collection
Herman Selleslags is one of the most famous photographers in Belgium and has been magazine Humo’s house photographer for fifty years.
Missing Women: Photography's Ongoing Issue
Four recent publications show that women are just as capable of producing great photographs as men, and always have been.
Art acquisitions Flemisch Community Collection preserved in FOMU collection
The selection was the responsibility of a committee of independent curators and experts from all six Flemish contemporary art museums including FOMU.
Together with Vice Belgium, FOMU talks with four women about masculinity. All four identify in some way with butchness.