A Critique of Everyday Life
The photography of William Egglestone and Stephen Shore, part of the new color photography movement, is not often associated with ‘politics’, or utopian potentials. Young critic, Taylor Dorrell, thinks its worthwhile to reconsider this.
Radical Futurism: Documentary's Chronopolitics
With her compelling contribution to Indigenous futurism, Thirza Jean Cuthand’s Reclamation, 2018, documents what’s to come.
Max Pinckers - Margins of Excess
Following the exhibition of Max Pinckers at FOMU, Public broadcaster VRT is showing the documentary 'Max Pinckers - Margins of Excess'.
Artist video: Mous Lamrabat
Beauty and a sense of hope are central to Mous Lamrabat’s work. His photographs are absurd and surrealistic, at times subtly provocative, always colourful and fun.
On Inge Meijer’s A Garden Revisioned
During a residency Dutch artist Inge Meijer came across a massive archive of pre-wedding photography at a bankrupt wedding hall in Gwangju, South Korea. Meijer started working on the archive, which resulted in her ongoing installation project
Fruits Of Self-Care: Soft, Spoiled, Radical
Self-care is 'a bit of a catch-all term', thus opens writer and poet Anna Lounguine her essay on a concept that culturally speaking seems to have lost its ethical and political potentials.
De keuze van Bent Van Looy
"For me, photography is primarily about looking into another world. Through the eyes, through the mind of the photographer.” Musician, painter and presenter Bent Van Looy chooses his favorite image from the FOMU collection.
De keuze van Jaouad Alloul
“I get excited when I see this photograph, but not on a sexual level", explains theatre-maker, singer and entrepreneur Jaouad Alloul about his favorite picture from the FOMU collection.
Martine Franck mini-documentaire
The Belgian Magnum photographer Martine Franck has made portraits and reports for major American magazines such as Life, The New York Times and Vogue. Find out more about here life and work in this mini documentary.
Willy Kessels' Photography and the 1935 Brussels World's Fair
No other medium but photography would work for Willy Kessels (BE, 1898–1974) and define his entire philosophy, on which he imposed a new and recognizable trademark with superimpositions and photomontages.