.tiff photographers Alice Pallot (2022) and Ugo Woatzi (2021) are selected for the exhibition 'On The Verge: Seven Young European Photographers' in CAMERA Turin.

Santa Barbara is Markosian’s exploration of her own personal history. In a similar spirit, Diana Markosian and FOMU invite visitors of the exhibition to record a short video commenting on the trajectory of their own life.

When the condition and the volume of photographic film is so challenging, how do you make such important archives accessible?

FOMU and Trigger Magazine would like to invite you to follow Ukrainian photographers to get their view on the situation and what it’s like to work as a photographer in a war situation: personally and professionally.

Ndiritu’s art practice explores our rapidly changing world. She sees shamanism as a means to reactivate ‘the dying art museum’: "I believe that museums are important platforms."

FOMU is making the historical Agfa-Gevaert collection available in the Gevaert Paper Project.

Herman Selleslags is one of the most famous photographers in Belgium and has been magazine Humo’s house photographer for fifty years.

On the occasion of the exhibition Mediations, Susan Meiselas talks to Jeu de Paume about her life and work.

The photo novel was one of the most popular mass media of the 1950s, comparable to the success of Netflix today. But what is it exactly? And how was it consumed?

It was not always such a ‘common’ insight: that artists are workers among other workers from other sectors. Read the essay by Rune Peitersen