The Kaiserpanorama is one of the most remarkable items of the FOMU collection. It is a "modern machine", intended to bring photography to a wide audience. 25 people can simultaneously sit around the Kaiserpanorama and view three-dimensional images.

In Santa Barbara verkent Markosian haar persoonlijke geschiedenis. Diana Markosian en het FOMU nodigen bezoekers van de tentoonstelling uit om een video op te nemen waarin ze hun verhaal vertellen.

The Brussels photographer Anne De Gelas creates highly personal work. Often self-portraiture, her images can be intimately revealing. She combines handwritten and typed texts, drawings, clippings and photographs to create a form of diary.

N.a.v. de tentoonstelling van Max Pinckers in het FOMU toont VRT de documentaire Max Pinckers - Margins of Excess. Bekijk hoe Pinckers doorheen de VS reist en onderzoek doet naar de vage grens tussen fictie en realiteit in de Amerikaanse media.

Four recent publications show that women are just as capable of producing great photographs as men, and always have been.

In your imagination, what do you expect to see in a collection of photography from different scientific archives?

A practice of care for a neighbourhood and its inhabitants flourishes at KENE in Bamako, Mali, a permanent photography lab for young adults, a place for education, relations, care for the neighbour and its collective memory construction.

Bieke Depoorter’s artistic practice is based on her relationships with the people she photographs. In recent years, she has been searching for ways to further close the gap.