Vincent Delbrouck creates memorable impressions of the places he explores by integrating personal and fictional perspectives into single works. Using various media—photography, collage and text—in his books and installations, he aims to create an intuitive, associative flow of energy.
His work is like a poetic chain of the little things in life, which he embraces in all its diversity. The total process, from shooting to presenting, is a form of internal journey for him. A journey that nourishes him—and opens up the unknown. It is a leap into a darkness where environment, person and photography all converge. In Delbrouck’s own words, “It’s like a dance.”
In 2020, FOMU acquired photographs from his trilogy The Himalayan Project; images from his artist residency in Mulhouse; some portraits from his most recent trip to Cuba; a number of mixed media collages; and some special editions and dummies.
You can discover the work of Vincent Delbrouck in the exhibition ‘re-collect’. 're-collect' takes you on an associative walk through a decade of acquisitions. The non-chronological approach encourages new connections to be made between the works. re-collect offers a simultaneous glimpse of the collection’s past, present and future.
Radical Futurism: Documentary's Chronopolitics
With her compelling contribution to Indigenous futurism, Thirza Jean Cuthand’s Reclamation, 2018, documents what’s to come.
The Kaiserpanorama - a remarkable item of the FOMU collection
The Kaiserpanorama is one of the most remarkable items of the FOMU collection. It is a "modern machine", intended to bring photography to a wide audience. 25 people can simultaneously sit around the Kaiserpanorama and view three-dimensional images.
Artist video: Anne De Gelas
The Brussels photographer Anne De Gelas creates highly personal work. Often self-portraiture, her images can be intimately revealing. She combines handwritten and typed texts, drawings, clippings and photographs to create a form of diary.
Social Transformation through Photography: The Case of KENE
A practice of care for a neighbourhood and its inhabitants flourishes at KENE in Bamako, Mali, a permanent photography lab for young adults, a place for education, relations, care for the neighbour and its collective memory construction.
Artist video: Bieke Depoorter
Bieke Depoorter’s artistic practice is based on her relationships with the people she photographs. In recent years, she has been searching for ways to further close the gap.
Vincen Beeckman about Le Fusée de la Motographie
The project 'Le Fusée de la Motographie' consists of more than 100 boxes. In each box you can find one or more photographs.
Re-Imagining Archival Evidence
In your imagination, what do you expect to see in a collection of photography from different scientific archives?
A Critique of Everyday Life
The photography of William Egglestone and Stephen Shore, part of the new color photography movement, is not often associated with ‘politics’, or utopian potentials. Young critic, Taylor Dorrell, thinks its worthwhile to reconsider this.
On Inge Meijer’s A Garden Revisioned
During a residency Dutch artist Inge Meijer came across a massive archive of pre-wedding photography at a bankrupt wedding hall in Gwangju, South Korea. Meijer started working on the archive, which resulted in her ongoing installation project