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Now on display
Dirk Braeckman makes a unique selection from the FOMU collection and appropriates these collection items to create new work.
FOMU: Dirk Braeckman: ECHTZEIT
Filip Tas, Jef Verheyen , 1967, Collection FOMU, B/2007/2187/7, @ Filip Tas
KMSKA: Jef Verheyen. Window on infinity
Frank Philippi, Jef Verheyen at work in his studio, Antwerp, 1960, Collection FOMU, 7625/10, ©Frank Philippi
KMSKA: Jef Verheyen. Window on infinity
Frank Philippi, Jef Verheyen outside the studio of Antonio Recalcati, 1959, Collection FOMU, 6585/21, ©Frank Philippi
KMSKA: Jef Verheyen. Window on infinity
Jef Verheyen visits the studio of Gianni Dova in the suburbs of Milan, 1959, Collection FOMU, 6599/17, © Frank Philippi
KMSKA: Jef Verheyen. Window on infinity
Gerald Dauphin, Jef Verheyen presents his sculpture 'Le Vide' against the sky, approx. 1965, Collection FOMU, ©Gerald Dauphin
KMSKA: Jef Verheyen. Window on infinity
Raoul Ubac, Pierres de Dalmatie, 1933, Collection FOMU, P/1970/46/4, © Raoul Ubac / ADAGP
Bozar: ‘Histoire de ne pas rire. Surrealism in Belgium’
Raoul Ubac, Pierres de Dalmatie, 1932, Collection FOMU, P/1970/46/5, © Raoul Ubac / ADAGP
Bozar: ‘Histoire de ne pas rire. Surrealism in Belgium’
Raoul Ubac, Pierres de Dalmatie, 1932, Collection FOMU, P/1970/46/3, © Raoul Ubac / ADAGP
Bozar: ‘Histoire de ne pas rire. Surrealism in Belgium’
Raoul Ubac, Le Combat de Penthésilé I, 1938, Collection FOMU, P/1970/46/1, © Raoul Ubac / ADAGP
Bozar: ‘Histoire de ne pas rire. Surrealism in Belgium’
Dries Depoorter, Trophy Camera v0.95, Belgium, Ghent, 2021, Collection FOMU, 2021_0022 © Dries Depoorter & Max Pinckers
RMIT Gallery, Australia: execute_photography
Leica III with ELMAR 1:3.5 50mm lens, collection FOMU, F/1968/157
MAS: City at war. Antwerp, 1940-1945
New acquisitions
Alison Rossiter, Gevaert Gevaluxe Velours, exact expiration date unknown, ca. 1930s, processed 2020 (#2) , Collectie FOMU, 2023/46, © Alison Rossiter
Anonymous, Studio portrait of two ladies posing behind a boat (ferrotype), Collection FOMU, 2024/11 © Unknown
James Barnor, Assistant of Sick-Hagemeyer, Accra, circa 1970, Collection FOMU, 2023/22 © James Barnor
Exhibition
James Barnor
James Barnor, Odwira procession in front of the studio Deo Gratias, Jamestown, Accra, 1976, Collection FOMU, 2023/23 © James Barnor
Exhibition
James Barnor
melanie bonajo, When the body says Yes, wallpaper, 2022, Collectie FOMU, 2023/44, © melanie bonajo
Amelia Bergner, Photogram of Leaves, approx 1877, Collection FOMU, 2023/37
Lebohang Kganye, Ke Bapala seyalemoya bosiu ka naeterese II uit de serie Her Story, 2023, Collectie FOMU, 2023/34/2, © Lebohang Kganye
Lebohang Kganye, Ke Monahano ke ntse ke le pating II uit de reeks Her Story, 2023, Collectie FOMU, 2023/34/1, © Lebohang Kganye
Mous Lamrabat, Palestina (from the series We are all one), 2023, Collection FOMU, 2023/47/1, © Mous Lamrabat
Mous Lamrabat, Three Flags (from the series We are all one), 2023, Collection FOMU, 2023/47/2, © Mous Lamrabat
Mous Lamrabat, Cease Fire Now (from the series We are all one), 2023, Collection FOMU, 2023/47/3, © Mous Lamrabat
Charles D'Hoy, Studio portrait of three men (salted paper print), 1854-1864, Collection FOMU, 2023/21
Adolphe L. Neyt (jr.), Sea view with a rowing boat, some sailing boats and a steam boat, approx 1881, carbon print, Collection FOMU, 2023/36/4
Dominique Somers, Dazzle, 2015, Installation with neon lamps and high-voltage transformers, Collection FOMU, 2023/52 © Dominique Somers
Dominique Somers, Apples, 2022, Lambda-print, Collection FOMU, 2023/48 © Dominique Somers
Dominique Somers, Uranium rods, 2022, Self-print of nuclear isotopes on 4x5" film in metal frame, Collection FOMU, 2023/53/1 © Dominique Somers
Dominique Somers, Djinn,2014, residue of ignited, 19th century magnesium flash powder in glass bottle, Collection FOMU, 2023/49 © Dominique Somers
Dominique Somers, Anti-flash scarf, 2017, Lambda-print, Collection FOMU, 2023/50 © Dominique Somers
Dominique Somers, Starscape, 2014, Lambda-print, Collection FOMU, 2023/51 © Dominique Somers
Bertien van Manen, Tomsk Railway Station, 1992, chromogenic print, Collection FOMU, 2023/40 © Bertien van Manen
Bertien van Manen, Rostov- Maxim, Tanya and Nikolayevich, 1993, chromogenic print, Collection FOMU, 2023/39 © Bertien van Manen
Bertien van Manen, Novokuznetsk Photography, 1993, chromogenic print, Collection FOMU, 2023/38 © Bertien van Manen
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